
ALLMAN HEATER
Canterbury, New Hampshire, was one of the great
centers of the Shaker spiritual movement. Steve Allman, a New
Hampshire native and a philosophy major in college, felt drawn
to the architecture and crafts of the Shaker Village in Canterbury
and took on the task of re-establishing the Shaker craft of making
oval hardwood trays, baskets and nesting boxes.
While living in Canterbury, Steve found a
piece of land to buy and became an apprentice of sorts to a remarkably
innovative designer and builder, Chance Anderson.
With a push from Chance and the work of Berkeley
architect Chris Alexander, who focused on feeling and wholeness,
Steve began to design his house.
He moved to the land and built a 10' x 10'
cabin overlooking one of the several ponds on the property. One
day Steve was walking the land when his sister brought by a college
friend, Jacquie Kelk, who listened while Steve shared his house
dreams. A voice inside her head told her that this house was her
home.
Jacquie and Steve and two black labs spent
three years in the 10' x10' cabin building their business, Canterbury
Woodworks, and materializing their dream.
The larger goal in Steve’s mind was to create
a self-generative lifestyle with gardens, wood fired heating,
baking, cooking and hot water, a home that was a living, breathing
system, secure, but intimately connected with the forest and ponds
around it. The house would be rugged, built with natural materials--wood,
brick and granite--to last for generation after generation, like
the Shaker settlement nearby, aging gracefully.
The lower level has double-thick brick walls
with poured foam insulation between them and simple strong granite
posts and lintels at the corners, doors and windows. Steve salvaged
several 10-wheeler truckloads of brick from a 19th century building
being demolished nearby and had them dumped on a logging road
near the home site. Each brick was then cleaned by hand and brought
to the site. The 10" thick wall only has an "R" value
of 12, but the mass is so great that when it reaches temperature,
the home has a gentle heat, full like a pregnant woman, and completely
natural. In sub-freezing weather you can open all the doors and
windows to lower the air temperature to 40 degrees inside, but
as soon as you close them again, the house immediately returns
to 60 degrees.
The
radiant mass of the walls and central two story fireplace core
keeps bodies warm and the air cool. No one gets sick in this house.
The air stays fresh.
When a person wants a little more warmth,
there are heated benches around the fireplace core that are always
warm.
Steve designed the home layout first, nestling
the brick and granite first level into a hillside looking south
through the hardwood forest to a pond. Large multipane windows
and doors on the pond side create natural connectedness between
the indoors and outdoors. Simple terra cotta Mexican tiles cover
the radiant-heat first level floor slab, making barefoot living
comfortable.
On the bermed northern wall of the kitchen,
tall raised-panel cherry cabinets fill the room with honeyed warmth.
A huge recycled antique soapstone sink sits in the center of the
north wall. Above the sink and cabinets Steve left room for celestory
windows all along the wall to release any buried feeling one might
have had nine feet underground. The celestory aesthetic had worked
well in the timberframe garage/workshop they started the project
with.
Jeff Thurston and his timberframe crew moved
from the garage/workshop project to the house. There were no blueprints
or rigid designs. Ideas were shared on napkins and then executed
in massive granite columns, elaborately scrolled rafters or enormous
timbers.
Outside, the home feels and looks like a Swiss
or Austrian or Finnish handcrafted "Einhaus," designed to
hold generations of people and farm animals under one roof. The
brick and granite base, however, has a New England flavor reminiscent
of the water-powered mills built all across New England in the
1800s. The second level is built of solid timbers laid piece on
piece, and the third level and roof structure is all timberframed
with stress-skin paneling.

One entering the house at the basement level encounters an enormous
brick structure with arched windows flanked by massive natural
pine-turned Doric columns holding up a huge oriental wooden lintel
buried in the brick work.
Here at the core of the home--where Greece,
China, Finland, Switzerland and New England meet--is the first
level of the heart of the home, a granite decked, wood burning,
brick cookstove with a masonry oven, domestic hot water jacket,
copper hot water tank and heated bench (sitzbank [German];
kang [Chinese] ) with flues running back and forth under
a 3'x7'x5" thick granite slab that three or more people can easily
lounge on.
Under the stairs is a cozy half-bath. The
stairs and under-stair walls are solid mahogany planks purchased
at auction when Palmer and Packer of northern Massachusetts went
out of business. Like most Shaker architecture, the materials
are left in the natural state with minimal alteration or adornment.
The strength and color and beauty of the materials are allowed
to speak with their own true voice.
On the second level, the warm hearth and central
masonry core of the house continues, separating a pond-viewing
deck and formal living area from the cozy raised-floor, lowered-ceiling
den on the opposite side.
A see-through Finnish Fireplace of brick with
white stucco and granite trim is fired every cold day. On one
side is a heated bench, fireplace and bakeoven.

On the opposite side, a two-tiered wood box
flanks one side of the fireplace, while an alcove for an entertainment
center flanks the other side of the fireplace.
The third floor is for sleeping and is kept
purposely cooler. The bedrooms have windows to the outside of
the house and windows to the inside, giving both privacy and connectedness
to outer and inner space.
The main bath is spacious, celebrating Shaker
style and simplicity with a peg board running all around the room
and a grand claw-foot white enameled bath tub as the centerpiece
of the room.
Along the perimeter of the house at every level
are closets and quiet spaces for an office or a study. The rooms
are squared organic shapes within which curves emerge: the rounded
columns, the arches, the dragon lintel. The combining of the severe
asexual Shaker style with the sensual flow of the organic and
oriental shapes is a pleasing one, for this is a house to build
family in, where dogs and babies and friends and wine and bright
clothes and laughter, as well as love of land, of natural wood,
of clay and stone all have their place.
Albie, Todd Milliken, Rich Raymond, and Doug
Wood built the Allman heaters.
|
Steve shifts
coals from the oven to the cooktop firebox
as he prepares to bake pizza for our evening meal. |
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